Friday, April 5, 2019

Beat at Cinecittà - Soundtracks for Sexy Movies (Downtempo Jazz)


A Sensual Homage To The Most Raunchy, Erotic Film From The Vaults Of Italian 60's & 70's Cinema. Composers Featured Are Bruno Nicolai, Riz Ortolani, Roberto Pregadio, & More. A Must For Any Lounge/Cinema Music Fan.

The three albuns dedicated to the most raunchy, erotic beat film music from the vaults of Italian 60s & 70s cinema. Brass pasta sound for hot nights from some of the most acclaimed Italian composers of all time: Bruno Nicolai, Pierro Piccioni, Armando Trovajoli, Luis Bacalov, Riz Ortolani. CD comes with a 24-page booklet with numerous poster-reproductions and stills all 'dente as well as extensive liner notes.


A goofily irreverent (and, perhaps, irrelevant) collection of musical moments from the sleazier side of the Italian cinema. No sign of Ennio Morricone on this volume, but there is plenty of Piero Piccioni, who dominates the album with a mixture of lounge and off-kilter pop. Bruno Nicolai has a single cut, as does Luis Bacalov. The real highlight, though, is Armando Trovaioli's "Bada Caterina," with its delightful vocals by Carmen Villani. Meanwhile, the album design is, well, interesting -- especially the inlay pictures of European sexploitation film magazines. A cute series that is well worth seeking out.

Thursday, April 4, 2019

COLOSSEUM - Jazz Rock/Fusion • United Kingdom


Founded in 1968 - Disbanded in 1971 - Reunited from 1994 up to 2015

This is one of the pivotal progressive bands that emerged in the second part of the Sixties. Unfortunalety the progressive world was more impressed by The NICE and KING CRIMSON, so in my opinion COLOSSEUM is a bit understimated progrock band. In '68 the founding members were drummer Jon Hiseman, tenor sax-player Dick Heckstall-Smith and bass player Tony Reeves, later joined by Dave Greenslade (keyboards), Dave Clempson (guitar), Chris Farlowe (vocals) and Mark Clark, he replaced Tony Reeves. COLOSSEUM made three studio albums: "Those Who Are To Die We Salute You" and "Valentyne Suite" (both from '69) and "Daughter Of Time" ('70). The music is a progressive mix of several styles (rock, jazz, blues) with lots of sensational solos and captivating interplay. In '71 the band released their highly acclaimed live album "Colosseum live", a proove of their great skills on stage but also showing that at some moments the compositions sounded a bit too stretched. 


After COLOSSEUM was disbanded in '71, most of these members formed or joined known groups like HUMBLE PIE (Clem Clempson), ATOMIC ROOSTER (Chris Farlowe), GREENSLADE (Dave Greenslade re-united with Tony Reeves) and COLOSSEUM II (founded by Jon Hiseman). In '91 the label Castle Communications released the comprehensive compilation CD entitled "The Time Machine". 

The second album "The Valentyne Suite" is considired as their best. It sounds mature and varied with the epic titletrack as the highlight: it's build up around a mindblowing solo on the Hammond organ by Dave Greenslade and great guitarwork by James Litherland. And if you like brass (I don't!), Dick Heckstall-Smith delivers stunning tenor-saxophone work.














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Wednesday, April 3, 2019

Major Stars - Psychedelic Rock (USA)


Major Stars is an American psychedelic rock band from greater Boston, Massachusetts. Their first live performance was in 1997 at the inaugural Terrastock Festival in Providence, Rhode Island. They toured Japan in 2000 with Overhang Party. In 2002, they toured with Acid Mothers Temple as an opening act and performed at the South by Southwest Festival in Austin, Texas. In December 2006 they performed at the Thurston Moore curated All Tomorrow's Parties festival in the UK.

Guitarist Wayne Rogers sang lead vocals on all of the band's releases through 2005's 4, when Sandra Barrett joined to take over those duties. Barrett left the band in 2008 and was replaced by Amanda Bristow, who joined during the recording of the album Return To Form. Vocalist Hayley Thompson-King joined in 2010, and appears on the albums Decibels of Gratitude and Motion Set but has since left the group and the current live singer is Noell Dorsey.



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Hi-Dramatics - Rock (Netherlands)


Hi-Dramatic mixes all those fine styles into one big cocktail and serves it to the crowd with obvious delight. They Rock, they Roll, they Rip, they Roar and they Romp and they Stomp, o yeah… These four gentlemen play it like they like it, original but not traditional. Hi-Dramatic’s ‘all original’ set features material ranging from Swinging to Moody to Fast and Raw, with or without lyrics. Hi-Dramatic is inspired by all the great rockabilly-, surf-, country & western-, blues-, jazz- and swing-heroes and moves along into the 21st century with that huge inheritance. Rock ‘n roll formation with guitarist Thomas Olivier from the punk band Human Alert.

Members:
Bastiaan "Bas" De Groot (guitar, vocals)
Thomas Olivier (guitar)
Louwrens [aka Loz] (bass)
Pepijn Teunissen (drums)




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Tuesday, April 2, 2019

Hermeto Pascoal & Sambrasa Trio - Samba Jazz Bossa (Brazil)


Samba-jazz group formed in the 1960s by Hermeto Pascoal (piano), Humberto Clayber (bass) and Airto Moreira (drums). In 1965, he released his only album, "Em Som Maior", containing the tracks "João Sem Braço" and "Lamento Nortista", both by Humberto Clayber, "Coalhada" (Hermeto Pascoal), "Sambrasa" (Airto Moreira ), "Mourinho" (Edu Lobo and Ruy Guerra), "Samba novo" (Durval Ferreira), "Clerenice" (José Neto Costa), "Duas cuentas" (Garoto), "Neither the sea knew" (Roberto Menescal and Ronaldo Bôscoli), "Arrastão" (Edu Lobo and Vinicius de Moraes) and "A jardineira" (Benedito Lacerda and Humberto Porto). The track "Hallelujah" was included in the collection "Bossa Festival", released that same year.

A rarely early bossa recording from Hermeto Pascoal -- heard here on both piano and flute, and working in a pre-Quarteto Novo trio alongside a young Airto Moreira on drums! The sound is much more conventionally bossa than any of Hermeto's later work -- but still filled with a tremendous sense of fluid grace and invention -- a markedly different mode than some of his contemporaries of the time, and a sound that really hints at the genius to come. Airto's totally great too -- hitting the drum kit in all sorts of unusual ways, and already demonstrating a strongly melodic approach to percussion. The last member of the group is bassist Humberto Clayber, who also plays a bit of cool harmonica -- and titles include "A Jardineira", "Clerenice", "Duas Contas", "Arrastão", "Sambrasa", "Aleluia", and "João Sem Braço".


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Monday, April 1, 2019

Joe Cocker - Soul Rock


John Robert Cocker OBE (20 May 1944 – 22 December 2014), known as Joe Cocker, was an English singer. He was known for his gritty voice, spasmodic body movement in performance, and distinctive versions of popular songs of varying genres.

Cocker's recording of the Beatles' "With a Little Help from My Friends" reached number one in the UK in 1968. He performed the song live at Woodstock in 1969 and performed the same year at the Isle of Wight Festival, and at the Party at the Palace concert in 2002 for the Golden Jubilee of Queen Elizabeth II. His version also became the theme song for the TV series The Wonder Years. His 1974 cover of "You Are So Beautiful" reached number five in the US. Cocker was the recipient of several awards, including a 1983 Grammy Award for his US number one "Up Where We Belong", a duet with Jennifer Warnes.

In 1993, Cocker was nominated for the Brit Award for Best British Male, in 2007 was awarded a bronze Sheffield Legends plaque in his hometown and in 2008 he received an OBE at Buckingham Palace for services to music. Cocker was ranked number 97 on Rolling Stone's 100 greatest singers list.




Joe Cocker is the third studio album by Joe Cocker, released in 1972 in Europe as Something to Say on Cube Records, and in the USA as Joe Cocker on A&M Records. It contains the hit single "High Time We Went", that was released in the summer of 1971. Joe Cocker signalled Cocker's change of direction into a more jazzy, blues style. The album reached no. 30 in the US album charts. However, although it received a positive response from the press, it made no impression on the British and European charts.

It is an unusual LP among Joe Cocker albums, in that he wrote the lyrics to six songs. All of them were co-written with Chris Stainton between 1969 and 1972. Only five were written with Stainton, as "Something To Say" was written with Nichols. However, the album's main claim to fame might be that one of its tracks, "Woman to Woman", was the basis for Tupac Shakur's successful hit single "California Love".

The album, re-titled as Something to Say, was originally released on CD in 1990 by Castle Communications and in 1998 a remastered edition of the album was released worldwide on A&M Records. Alan White, soon to be Yes' drummer, played on this album alongside Jim Keltner, after he was featured on George Harrison's All Things Must Pass and John Lennon's Live Peace in Toronto, Imagine and Sometime in New-York City albums. Conrad Isidore played with Steve Stills and Hummingbird, among others. Percussionist Rebop Kwaku Baah was known for his work with Traffic and the German band Can.














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