Cream and The Last Goodbye Show (San Diego 1968)

Cream, live at the Sports Arena, San Diego on 20th October 1968 Worn out by touring and personal disagreements, Cream agreed to disband after a farewell tour in October 1968. Recorded in outstanding fidelity for broadcast on KPRO-FM, this outstanding gig features a cross-section of their best-loved material, and clearly indicates why they were regarded as the pre-eminent rock band of their day. It’s presented here together with background notes and images.

Cream were a 1960s British rock power trio consisting of drummer Ginger Baker, guitarist/singer Eric Clapton and bassist/singer Jack Bruce. The group’s third album, “Wheels of Fire” (1968), was the world’s first platinum-selling double album. The band is widely regarded as the world’s first successful supergroup. In their career, they sold more than 15 million copies of their albums worldwide. Their music included songs based on traditional blues such as “Crossroads” and “Spoonful”, and modern blues such as “Born Under a Bad Sign”, as well as more current material such as “Strange Brew”, “Tales of Brave Ulysses” and “Toad”.

Live In San Diego '68

Our Last Goodbye to Ginger Baker...

Thank you and Rock In Peace

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Ginger Baker on Drums

Ginger Baker will forever be best known for his influential drum work as part of British blues-rockers Cream. But as most serious admirers of the drummer know, Baker subsequently tackled countless other styles. Case in point, African Force. Joining Baker is a supporting cast of percussionists with a tribal drumming background, and expectedly, this style is reflected throughout the album. In fact, it sounds very comparable to David Byrne's solo albums and also Paul Simon circa his Graceland period, especially on such tracks as "Brain Damage" and "Sokoto," while the over-epic twelve-minute album-closing title track adds some funk bass to the mix. For those who think that all of Baker's work sounds like Disraeli Gears, you're in for quite a surprise with African Force.

Baritone Saxophone, Soprano Saxophone – Wolfgang Schmidtke

Bass, Guitar, Keyboards, Producer, Mixed By, Written-By – Jan Kazda

Drums, Written-By – Ginger Baker

Percussion – Francis Mensah

Percussion, Congas – Thomas Akuru Dyani*

Percussion, Voice – Ampofo, Ansou Mana Bangoura, J. C. Commodore (tracks: A1, A2, A5, B1, B3)

Trombone – Ludwig Gotz*

The African Force (2013)

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Art Blakey - Jazz (Drums)

Arthur Blakey (October 11, 1919 – October 16, 1990) was an American jazz drummer and bandleader. He was briefly known as Abdullah Ibn Buhaina after he became a Muslim in the late 1940s. Blakey made a name for himself in the 1940s in the big bands of Fletcher Henderson and Billy Eckstine. He worked with bebop musicians Thelonious Monk, Charlie Parker and Dizzy Gillespie. In the mid-1950s Horace Silver and Blakey formed the Jazz Messengers, a group that the drummer was associated with for the next 35 years. The group was formed as a collective of contemporaries, but over the years the band became known as an incubator for young talent, including Freddie Hubbard, Wayne Shorter, Lee Morgan, Benny Golson, and Wynton Marsalis. The Biographical Encyclopedia of Jazz calls the Jazz Messengers "the archetypal hard bop group of the late 50s".

Blakey was inducted into the Down Beat Jazz Hall of Fame (in 1981), the Grammy Hall of Fame (in 1998 and 2001), and was awarded the Grammy Lifetime Achievement Award in 2005. He was inducted into the Modern Drummer Hall of Fame in 1991.

Art Blakey & The Jazz Messengers - Drum Suite

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Carmine Appice on Drums

Carmine Appice (born December 15, 1946) is an American drummer and percussionist most commonly associated with the rock genre of music. He has received classical music training, and was influenced early-on by the work of jazz drummers Buddy Rich and Gene Krupa. Appice is best known for his associations with Vanilla Fudge, Cactus, the power trio Beck, Bogert & Appice, Rod Stewart, King Kobra, and Blue Murder, which also featured John Sykes of Whitesnake and Thin Lizzy fame, and Tony Franklin of The Firm. He was inducted into the Classic Drummer Hall of Fame in 2013, and the Modern Drummer Hall of Fame in 2014.

Carmine Appice re-released his GUITAR ZEUS project, a compilation album featuring a who's who list of the best and world-renowned guitarists on the planet backed by his core band featuring Tony Franklin (THE FIRM, BLUE MURDER) on bass, Kelly Keeling (TSO, MSG) on vocals, keys and rhythm guitar, and Appice on drums.

Originally released as two separate albums in 1995 and 1997, this new re-mastered album (by Stephen DeAcutis; VANILLA FUDGE, Corey Glover, OVERKILL, Cyndi Lauper) combines both releases as one complete version on January 18 for the first time ever across all digital platforms, as well as feature five brand new songs with Ron "Bumblefoot" Thal, Pat Travers, John Norum, and top Japanese guitarists RaiZi and Char. Select songs will also be available on a special limited-edition vinyl and CD.

Carmine Appice's GUITAR ZEUS showcases the complete and prolific talents of many world-renowned rock guitarists, including Brian May, Slash, Neil Schon, Yngwie Malmsteen, Bruce Kulick, Ron "Bumblefoot" Thal, Paul Gilbert, Mick Mars, Richie Sambora, Zakk Wylde, Bob Daisley, Dweezil Zappa, Vivian Campbell, Leslie West, Warren DeMartini, Steve Morse, Ty Tabor (KING'S X), Ted Nugent, Doug Pinnick, John Norum and others.

"The GUITAR ZEUS project, for me, was an amazing experience that has never been done before by a drummer, especially with so much talent on one album!" Carmine said. "You get your money's worth! Writing all the songs with my band (Tony and Kelly) and then picking out songs for each guitarist was a fun and time-consuming process, especially coordinating everybody's schedules and recording sessions.

"From the opening note, one can tell this is going to be something special. I consider these drum tracks to be some of the best performances in my career, topped off with working with so many great guitarists and singers. The combination of players and song selection is something special with some of the tunes is out of the ordinary and ahead of their time!"

Said Brian May: "As soon as I heard the track, I thought it had a very haunting quality, evoking the '60s, but with a very modern slant. I also found the backing track very powerful and appealing, driven by Carmine's very recognizable style; so I was keen to play on the track straight away."

Guitar Zeus

Alternative Link

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Ginger Baker - Jazz (Drums)

During the early '90s, Ginger Baker gradually established his reputation as a genuine jazz musician, proving that he was no rocker who was merely dabbling. Of course, anyone familiar with Cream will realize that he was among rock's jazziest drummers, but his series of records with Bill Frisell convinced many doubters of his musical merit. On one of his tours, he happened to hear trumpeter Ron Miles and bassist Artie Moore play in Denver. Impressed with the two musicians, he relocated to Colorado and assembled the Denver Jazz Quintet-to-Octet. The DJQ20 is a shifting group of musicians that has Baker, Miles, and Moore at its core and, as it turns out, their elasticity is what gives them strength. For their first effort, Coward of the County, they're joined by a saxophonist, along with a variety of local Denver musicians, and the results are startlingly fresh. Using hard bop as a foundation, they're unafraid to venture into challenging territory, where they pull together free, funk, and rock into unpredictable combinations. Baker wrote two of the songs, including the opening tribute, "Cyril Davies," but the remainder of the record is devoted to originals by Miles, who proves himself to be an inventive composer, capable of lovely lyrical ballads ("Megan Showers") and experimental jazz. Often, Coward of the County veers into unpredictable territory -- witness how the funky fusion on "Ginger Spice" moves into dissonant improvs, how the title track is colored by pedal steel and organ, or how "Daylight" is a series of surprises, as its gentle beginnings are submerged by waves of distorted guitar that fade back, revealing darkly beautiful textures. Not only are the compositions challenging, they're delivered with ease by the group, which are remarkably empathetic and graceful. In fact, it's a testimony to Baker's skills as a leader that he never dominates, preferring to let all the parts weave together to create a full, rich sound. And by doing so, he has made Coward of the County, in a way, a showcase for Miles, since his compositions become the focal point. They signal a young writer of considerable skill, ambition, and talent -- and he's not a bad trumpeter, either.

Coward Of The County (1999)

Ginger Baker And The DJQ2O With Special Guest James Carter

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Bill Bruford (YES) - Fusion Jazz Rock (Drums)

William Scott Bruford (born 17 May 1949) is an English retired drummer, percussionist, songwriter, producer, and record label owner who first gained prominence as the original drummer of the rock band Yes, from 1968 to 1972 and again from 1989 to 1992. After his departure from Yes, Bruford spent the rest of the 1970s playing in King Crimson, touring with Genesis in U.K., and eventually forming his own group, Bruford.

In the 1980s, Bruford returned to King Crimson for three years, collaborated with several artists including The Roches, Patrick Moraz, and David Torn, and formed his jazz band Earthworks in 1986. He then played in Anderson Bruford Wakeman Howe, which eventually led to his second stint in Yes. Bruford played in King Crimson for his third and final tenure between 1994 and 1997, after which he continued with Earthworks and further collaborations.

On 1 January 2009, Bruford retired from public performance. He released his autobiography, and continues to speak and write about music. He operates his record labels, Summerfold and Winterfold Records. In 2016, after four-and-a-half years of study, Bruford earned a PhD in Music at the University of Surrey. He was inducted into the Rock and Roll Hall of Fame as a member of Yes in 2017.

Seems Like A Lifetime Ago

CD 1 Feels Good To Me (Remixed) 

CD 2 One Of A Kind (Expanded & Remixed)

CD 3 Gradually Going Tornado (Remastered)

CD 4 The Bruford Tapes (Remastered)

CD 5 Live at the Venue

CD 6 4th Album Rehearsal Sessions

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