Showing posts with label Country. Show all posts
Showing posts with label Country. Show all posts

Monday, September 30, 2019

Commander Cody & His Lost Planet Airmen - Country Rock


Commander Cody and His Lost Planet Airmen is an American country rock band founded in 1967. The group's founder was George Frayne IV (alias Commander Cody, born July 19, 1944 at Boise, Idaho) on keyboards and vocals.

The band's style mixed country, rock 'n' roll, western swing, rockabilly, and jump blues together on a foundation of boogie-woogie piano. They were among the first country-rock bands to take its cues less from folk-rock and bluegrass and more from the rowdy barroom country of the Ernest Tubb and Ray Price style. The band became known for marathon live shows.

Alongside Frayne, the classic lineup was Billy C. Farlow (b. Decatur, Alabama) on vocals and harmonica; John Tichy (b. St. Louis, Missouri) on guitar and vocals; Bill Kirchen (b. Kirchen was born in Bridgeport, Connecticut, June 29, 1948 but grew up in Ann Arbor, Michigan) on lead guitar; Andy Stein (b. August 31, 1948 at New York City) on saxophone and fiddle; Paul "Buffalo" Bruce Barlow (b. December 3, 1948 at Oxnard, California) on bass guitar; Lance Dickerson (b. October 15, 1948 at Livonia, Michigan; died November 10, 2003 at Fairfax, California) on drums; Steve Davis (b. July 18, 1946 at Charleston, West Virginia) and Bobby Black on steel guitar.


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Country Dick Montana - Country Rock


Country Dick Montana, vocalist/drummer for the Beat Farmers, finished this debut solo album shortly before his death. Though the aneurysm that stopped him at the age of 40 could not have been predicted, he lived a hard life and battled throat cancer in his last years, so the references to death, which start with the title and the flaming cover (Montana's concept), are not entirely coincidental. Still, when he sings, "I'll die happy with a smile on my face" in "Party Dolls and Wine," a song with a sudden, unexpected ending, the ironies abound. As last statements go, however, The Devil Lied to Me is an unusually joyous statement. Montana had a resonant bass voice that dominates the record, even in the presence of such guests as Rosie Flores, Dave Alvin, John Doe, Katy Moffatt, and Mojo Nixon. The material gets more twisted as the disc goes on, until Montana's persona, with its barroom swagger and interest in sex and stimulants, is well established. Given the singer's untimely departure, it may be heard as a cautionary tale, but it's hard to believe he would have done it (the record or his life) differently if he'd known what was going to happen.


The death of the Beat Farmers' spiritual leader Country Dick Montana barely registered a blip on the rock & roll radar, but many sense a substantial loss. Country Dick and the various groups he associated with (Beat Farmers, Pleasure Barons, Snuggle Bunnies), didn't produce "art" exactly, but when they were in town, you went. (In fact, one Beat Farmers packed more sweaty fun and wild joy than tenfold such shows by Pavement or other indie rock fingerpuppets). Dressed like a cattle rustler just back from thirty days on a particularly dirty trail, Montana took the microphone in one hand and sang "California Kid" in his basso profundo growl that made Nick Cave sound like Jon Anderson, one of those exquisite moments that make the live music experience worth all the smoke, noise, and tedium. In his other hand was an ever-full glass of beer that he shook and sprayed on both the audience and himself. The Devil Lied to Me, recorded shortly before his death of cancer, is a fiery collection of roots rock, country and hilarious snippets from Country Dick's twisted subconscious. I laughed my headphones off during "Trendy Shitbag," stomped my feet numg during his spirited cover of "Green Door" and wiped away a tear (or maybe it was just a booger) during the surprisingly tender "I Wanted You to Know." Everything you ever wanted to know about the man named Country Dick Montana is right here, with the musical support of friends like Mojo Nixon, Dave Alvin, Rosie Flores, and John Doe acting as the kind of hot-sauced eulogy the man would have loved. Vaya con Dios, hombre. --John Chandler


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Wednesday, August 21, 2019

Sons-N-Britches - Country Rock (USA)


With a name like Sons-N-Britches, you can guess that these boys don’t take themselves too seriously. However, they do take their music very seriously. Daron Meek, Rocky Barnes, and Mike Mullis are life-long friends with a rich history of making music together. Growing up in the Due West Community on the outskirts of Kennesaw, GA; these boys had a slew of musical mentors. Local jams in neighborhood music stores and backyard barbeque's provided fertile ground for them to grow as musicians, songwriters and performers. Later; the "Sons" honed their skills appearing with such acts as Kenny Chesney, Martina McBride, Kennesaw, Mark Chestnutt, Travis Tritt and many more.
The band has added an acoustic feel to their most recent work that really showcases their songwriting. In addition to their original material; S-N-B blends traditional Country, Rock, and Southern-style Blues with a touch of Grass. They call it "music from the REAL dirty south." It's like a glass of iced tea with a shot of moonshine (refreshing with a kick).



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Wednesday, August 14, 2019

Shotgun Wedding - Country Folk Rock (USA)


Formed in Brooklyn, Shotgun Wedding is a five-piece alt-americana country band comprised of professionally accomplished musicians. Dennis DelGaudio (guitar/vocals) and Wade Preston (piano/vocals) both played in Billy Joel’s band for years, and both were instrumental in bringing the Broadway production Movin’ Out to life. Joel was so impressed with Preston’s keyboard work that he even requested Preston stand in for him during the months Joel had rehearsals for Last Play at Shea concerts. Andy Cichon, (bass/vocals) another family member of the Billy Joel band, has also appeared on stage with the likes of Paul McCartney, Roger Daltrey of The Who, and Steven Tyler of Aerosmith. Chuck Burgi (drums) has played with big names like Bon Jovi and Meatloaf; his classic use of snare on the ‘two and four’ captures that rhythmic charm of southern rock ‘n’ roll. Last but certainly not least is Catherine Porter. Though she was the final member to join the group, the boys were immediately impressed with the range of her voice. Whether it’s keeping up with the speed with which DelGaudio sings his lyrics in playful harmonies, crooning us to sleep with sultry tones in “Hurtin’ Songs,” or opening up in “Ain’t Gonna Break My Heart” with raunchy grunts and rich jazz flavors, Porter’s voice contributes deep soul to this urban country group.

Bass, Vocals – Andy Cichon
Drums, Percussion – Chuck Bürgi
Guitar, Vocals, Banjo, Mandolin – Dennis DelGaudio
Piano, Vocals – Wade Preston
Vocals – Catherine Porter



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Sunday, July 7, 2019

The Bob Meighan Band ‎- Country Folk Rock (USA)


The Band:
Bass – Dick Furlow
Drums – Milt Miller
Guitar, Lead Vocals, Backing Vocals – David Dodt
Keyboards – Richard Howard (8)
Lead Vocals, Guitar – Bob Meighan
Producer – David Plehn (2), Jerry Riopelle, Jim Bastin
Violin, Mandolin, Synthesizer – Rodney Bryce (2)



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Tuesday, September 25, 2018

Carolina Rain - Country, Folk (USA)


Carolina Rain are all about harmony. On its debut album for Clint Black's label, the country trio spends considerably more time in harmony than out of it, and, well, you would too if your voice blended as purely with those of your pals. There's no pretense here: Carolina Rain aren't a rock band hidden behind cowboy hats. Their backgrounds are in bluegrass, gospel, and mainstream country, and their chosen instruments are acoustic guitar, mandolin, and banjo. That's not to imply that they are unflappable purists, however. "I Ain't Scared," with its solid drum/bass backbone, has a funky kick to it, and "That's Alright with Me," layered with full band instrumentation, won't feel unfamiliar to a fan of the early Eagles or Neil Young. But Carolina Rain are at their most effective when they keep it all close, pickin' their acoustic instruments and bringing those voices together. The rich textures of "Who Needs the Sun," the exquisite album closer, remind as much of the Beach Boys' sunny harmonies as anything Nashville has to offer, and on "Get Outta My Way," the only track on the album not written at least partially by a bandmember (it's credited to the album's producer, Robert Ellis Orrall, and Curtis Wright) finds the trio so seamlessly entwined that the individual voices simply fuse into one. Lead vocalist and guitarist Rhean Boyer -- the others are Jeremy Baxter, tenor harmony and mandolin, and Marvin Evatt, low harmony, guitar, and banjo -- holds his own commendably when called upon to take charge, but Carolina Rain don't truly show their strength until all three come together and find their rightful place within a song.


Tuesday, April 3, 2018

Country-Funk Music - Obscure Collection


Collection of obscure and underrated Country-Funk, Blue-Eyed-Soul, and other swinging Rhythm & Blues oddities from the Sixties and Seventees. The tunes on this album are as good as those by famous artists like Little Richard, Jerry Lee Lewis, Tom Jones, or Jack Hammer.



1. Big Jim Cartwright - Stone Born Country Boy
2. Bo-Jack - Flower Child
3.Jerry Ryder Combo - Knuckle Head
4.Cal Collins Trio - Mountain Chops
5.Steve Kathy & Sha-Onas - Mississippi Delta
6.Terry Clark - Lorraine
7.Bust - Undying Love
8.Hope Inc. - Lucille, Lucille
9.Manson Manuel Express - Polk Salad Annie
10.The Embers - Fast david and The Wolfpack (I)
11.The Embers - Fast david and The Wolfpack (II)
12.Herb Day - I'll Never Give Up